About Us - BTM Cultural Academy
"It was a gradual start; nonetheless we were ready to host our first concert on April 14th 1992 at a temple in 9th Block Jayanagar." The academy has come a long way since. A concert by acclaimed flautist Praveen Godkindi and Jayanthi Kumaresh on the Veena, in March was one of the most well received events in recent times, says Anantharamaiah. I am the lone founding member in the academy right now he says. It now organises close to 25 cultural programmes a year. .
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This project was the first of its kind in the history of Carnatic music. They decided to meet on a Sunday to discuss what could be done and invited everyone in the neighbourhood through small pamphlets." Anantharamaiah, a music lover himself, heard about the meeting and decided to attend. Located in South Bangalore, the academy is one of the prime organisations in Bangalore's cultural scene. .
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If someone whistled at others, it would be scorned. He adds that they have written to BDA for providing premises but is not too hopeful about getting any. Haskara, 62, discovered the academy in 2002 on his visit to his relatives in JP Nagar. Tickets are also sold at the concert are priced at a modest Rs 25 for non-members.". We gebruiken cookies om inhoud en advertenties relevanter te maken en je een veiligere ervaring te bieden.
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A former business head, he shifted to JP Nagar in 2004 and has been involved in the academys programmes. Donations are deductible from income tax under Section 80G, vide Notification. The Academy had the unique distinction of producing and releasing a CD of compositions of Karnataka mahila vaggeyakars sung by Senior mahila vidushis. Meer informatie, zoals over hoe je je instellingen kunt aanpassen, vind je hier: cookiebeleid.
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"Many musicians of repute have performed on the stage here he says with pride. Bhat, who trained under.K. Jugalbandhis, Vocal and Instrumental duets, Instrumental ensembles, Ragam-thanam-pallavi concerts arranged by the Academy are well received. Vocal and whistle,. Nearly 90 minutes into his performance, which included whistling in Kalyana-Vasantha, Sindhubhairavi and Bageshri ragas, handling kritis and swara prasthara, he hadn't taken a drop of water.
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It took me rigorous sessions of practice to adapt to the lyrical bhava, as trial and error sessions with lip and tongue movements and inhale-exhale exercises improved my oral duplication week after week in whistling. "The annual membership is less than what one would spend in an evening at the movies. Ye shaam masatani 's unforgettable tune by Kishore Kumar. This is made possible by your donation.